The song serves as a midtempo R&B jam, which has the fellas delivering staccato vocals over stuttering synths while spitting profanities because their chicks are struggling to trust them. The Marcus Devine produced cut is really not that great. In fact, it's really weak for a comeback song after so long. They seem stuck in 2007 with this very dated sound. Few words for Robert Curry, Brian Andrews, Willie Taylor, Qwanell Mosley, and Michael McCluney, come harder than this please, because this song truly does live up to its title.